Hmmmmm. Largely in agreement with the whole hipster-algorithm-kommisar trajectory 9and attendant psychology) that you touch upon here, but as a mentioned in notes, I think you are missing out, in a sense, with the whole "influencer" thing that plays into this whole dynamic somehow...
Has the influencer been replaced by the algorithm, as w…
Hmmmmm. Largely in agreement with the whole hipster-algorithm-kommisar trajectory 9and attendant psychology) that you touch upon here, but as a mentioned in notes, I think you are missing out, in a sense, with the whole "influencer" thing that plays into this whole dynamic somehow...
Has the influencer been replaced by the algorithm, as well or is there a symbiotic relationship there? Or is it the eternal question of the cool vs the popular which gives us the cycle of cool-popular-uncool-new cool ad nauseum.
True Lies is a masterpiece, THE best Arnold mover, bar none (that's not saying it's great art, however ;)).
Hmmmmm. Largely in agreement with the whole hipster-algorithm-kommisar trajectory 9and attendant psychology) that you touch upon here, but as a mentioned in notes, I think you are missing out, in a sense, with the whole "influencer" thing that plays into this whole dynamic somehow...
Has the influencer been replaced by the algorithm, as well or is there a symbiotic relationship there? Or is it the eternal question of the cool vs the popular which gives us the cycle of cool-popular-uncool-new cool ad nauseum.
True Lies is a masterpiece, THE best Arnold mover, bar none (that's not saying it's great art, however ;)).
I think “influencers” are more like paid pitchmen than true influencers of “the culture.”
Okay, I can see that.