I think its almost inarguable windowing is existential for theatres, but its not likely on its own to stop or reverse their decline. Studios can't just double-down on a strategy almost assured to see negative growth. Piracy may skyrocket upon home release, but they guarantee what revenue it does generate is drastically kneecapped by not …
I think its almost inarguable windowing is existential for theatres, but its not likely on its own to stop or reverse their decline. Studios can't just double-down on a strategy almost assured to see negative growth. Piracy may skyrocket upon home release, but they guarantee what revenue it does generate is drastically kneecapped by not being able to capitalize on the very short window of attention span in our overcrowded media environment where new releases generate cultural chatter.
I think its almost inarguable windowing is existential for theatres, but its not likely on its own to stop or reverse their decline. Studios can't just double-down on a strategy almost assured to see negative growth. Piracy may skyrocket upon home release, but they guarantee what revenue it does generate is drastically kneecapped by not being able to capitalize on the very short window of attention span in our overcrowded media environment where new releases generate cultural chatter.