This week, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss the controversial (or nontroversial?) practice of digitizing extras. Setting aside issues of informed consent: Is this an existential threat to the Screen Actors Guild, or simply a necessity in the world of spiraling production costs and the risks of Covid-era shutdowns? Then the gang reviews They Cloned Tyrone, Juel Taylor’s They Live-inspired sci-fi satire. Is the Netflix film a hit or a miss? Make sure to swing by Bulwark+ on Friday for a tribute to William Friedkin, one of Hollywood’s great directors. And if you enjoyed this episode, share it with a friend!

Across the Movie Aisle
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Here's the elevator pitch: It's "Left, Right, and Center" meets "Siskel and Ebert." Three friends from different ideological perspectives discuss the movies and controversies (or nontroversies!) about them.
Featuring bonus Friday episodes exclusively for Bulwark+ members.
Here's the elevator pitch: It's "Left, Right, and Center" meets "Siskel and Ebert." Three friends from different ideological perspectives discuss the movies and controversies (or nontroversies!) about them.
Featuring bonus Friday episodes exclusively for Bulwark+ members.
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Alyssa, YES! Clear up-front calls, contracts , specific definitions, and liability for the security of all images matter!
Is it a problem that the extras may be recognizable? I mean the Orcs in LotR were duplicated over and over again to give the illusion of huge armies.
Sure, or the crowds in the digitally rebuilt coliseum in GLADIATOR. But this is a different sort of thing, I think, particularly in terms of detail/realism.